Sierra Hull

Saturday, June 10, 2017

Highlight Video

Watch Video


“I think she’s endless. I don’t see any boundaries. Talent like hers is so rare, and I don’t think it stops. It’s round.” -Alison Krauss

“Sierra did well in music very fast and very young,” says Alison Krauss. “Sometimes when that happens, people don’t want you to change. It’s, ‘We know you as this, and now you’re scaring us.’ But there wasn’t a question about what she wanted. She just needed somebody to listen to her and say, ‘What you have to say is valuable. If this is what you feel and what you want to say, you wait until you get to say it.’”

“She plays the mandolin with a degree of refined elegance and freedom that few have achieved, and now her vocals and songwriting have matured to the level of her virtuosity.” - Bela Fleck 

Event Photos

  • Sierra-Hull-Blue-Rock-Bursiel_6962.jpg
  • Sierra-Hull-Blue-Rock-Bursiel_6965-copy.jpg
  • Sierra-Hull-Blue-Rock-Bursiel_6974.jpg
  • Sierra-Hull-Blue-Rock-Bursiel_6987.jpg
  • Sierra-Hull-Blue-Rock-Bursiel_6990.jpg
  • Sierra-Hull-Blue-Rock-Bursiel_6999.jpg
  • Sierra-Hull-Blue-Rock-Bursiel_7001-copy.jpg
Doors open 7:00pm, Show 7:30pm CST
GRAMMY nominated folk-grass virtuoso
View Webcast

Hull came to us as a bluegrass thrush, a teen prodigy. Alison Krauss called her to the Grand Ole Opry stage when Hull was 11-years-old. Two years later, she signed with Rounder Records, and soon became known as a remarkable mandolin player, a tone-true vocalist, and a recording artist of high order. She made two acclaimed albums. She played the White House, and Carnegie Hall, and the Kennedy Center, and she became the first bluegrass musician to receive a Presidential Scholarship at the Berklee College of Music.

She was celebrated, yet adrift.  Stranded, even.  She fielded myriad opinions about hypothetical courses. She grew vulnerable, and weighted, and she wrote songs about all of that. She found solace in an antique Brenda Ueland book that advised, “Everybody is original, if he tells the truth, if he speaks from himself.”

Hull wrote eleven of her recent GRAMMY nominated Weighted Mind’s twelve songs (and she arranged the twelfth tune), penning some with co-writers Jon Weisberger, Zac Bevill, and Josh Shilling, and writing “Stranded,” “Wings of the Dawn,” “Birthday,” “Lullaby,” “I’ll Be Fine,” and “Black River” on her own.

This is not bluegrass music, or chamber music, or pop music. This is original music, from a virtuoso who tells the truth and speaks from herself.

Blue Rock on TwitterBlue Rock on TwitterBlue Rock YouTube ChannelBlue Rock Facebook Page